Monday, March 19, 6:30 PM
Osher Theater, BAMPFA
The UC Berkeley Center for New Media (BCNM) presents
The Art, Technology, and Culture Colloquium: Public (Re)Assembly
The import-export business of making history demands an equivalence, a loyalty, and a familial solidarity between people and things. Such skills are best honed in conditions of blindness, where we cannot immediately tell what is in the room with us and whether it is alive or dead, person or thing, male or female.
Blind and non-aligned, the oral corporation extends its incorporation indefinitely. Incorporated in the United States (where corporations are people), launched in Paris and headquartered in Belgrade, she is a copy or avatar of Jugoeksport, a defunct Yugoslav apparel manufacturer and weapons exporter.
Since the dissolution of Yugoslavia in 2003, ‘Yug’ is a vacant space, and the oral corporation occupies it by returning to the original meaning of yug or jug which is south. The oral corporation mounts production on a sur-national scale from this cardinal direction, from the Balkans and the old Roman trade and military route Via Militaris.
Welcome to a terrain of production from the mouth.
Thursday, May 31, 8pm
The Commons, NYU, Barney Building
34 Stuyvesant Street, New York, NY 10003
Co-presented with 80WSE
A work for one voice and an audience.
Cast: Lin Qian, Olivia Roper-Caldbeck
Organized by: Laura McLean-Ferris, Nicola Lees
Part of Swiss Institute’s Offsite program. This session is followed by the publication of a 7-inch record in late 2018.